No matter what a prospective designer’s dream, he or she should consider if they have what it takes to do the work needed to succeed in the field, from costume to couture jewelry.
Despite this seeming inequality, both are essential. It’s like that old song with the refrain, ‘You can’t have one without the other.’ You simply can’t. And the proportions may shift at various times throughout your career.
In the world of designers, a creative person will almost always get hired somewhere, or if it is someone who has some financial means of his or her own, they will be able to finance some of their designs and there is no predicting where that might lead.
The essential is to understand how jewelry is made-up and to know the weights and measures of metals and stones. Not knowing this puts the designer at a distinct disadvantage.
Nothing is more of a waste than for someone to design a piece of jewelry that cannot be manufactured, either by a bench jeweler or mass-produced, or that is not functional. You can get more information about best jewelry designing at https://www.nano-jewelry.com/.
An incapacity to assess the functionality and understand the fabrication of a design can leave you vulnerable to exploitation by those looking to sell you gems and other materials, by stores or lines asking you for a particular type of design and by individual customers who insist on a design that is simply impossible.